Brawl in Atlanta-area hotel goes viral

 

According to Fox5Atlanta, after watching this entire video, the hotel says they stand by their employee.

Missouri Home Built in 1875 with Jail Listing on sale for $350,000

The listing for an 18th Century Missouri Home goes Viral and Realty Biz News thinks the reason will appeal to kidnappers and/or anyone with a taste for the unusual... and we at StrictlyViral tend to agree.

This unique listing according to the realtor.com, is on sale in the city of Fayette, Missouri and comes in the form of two-bedroom, two bathroom, former sheriff's home that comes with nine jail cells at the basement.

The Missouri Home on 203 E Morrision St., Fayette, MO 65248 is estimated at $315,700 and the listing HERE gives all the information about the home said to have been built in 1875, including 70 images of the high end finish of the interior as well as the exterior grounds. The listing ad also noted all the details of the Victorian era home with a 2,500 square foot prison underneath which comprises nine cells, a booking room and a half bathroom.   

Read more about this exquisite piece of property HERE and don't to SHARE. 

Let's make it more VIRAL! 

 

10 Netflix Movies Watched during COVID-19 Pandemic

Here is a list of the top 10 Netflix original movies people are watching during the COVID-19 Pandemic period. Have you seen any of these Netflix Originals? Which were your Favorite? Are they as good as people say they are?

Courtesy:

Techgumbo

Netflix

Have you heard viral 'Shallow' singer Charlotte Awbery gave a show-stopping performance of the song on 'Ellen'

Charlotte Awbery blew the world away with her voice after she was asked to finish the lyrics to 'Shallow', the song performed by Bradley Cooper and Lady Gaga in a London Tube Station.

Here's the video from the Ellen show which has a clip from her Tube performance.

Enjoy!

Young Woman Used Radiator to Curl Her Hair

Don’t Panic!!!

This is how the story goes. 

Emily working the radiator pipe.
Image: Kennedy News and Media

One night, as the beautiful Emily got ready for her night out, she realized she had lost her curlers. I am going to assume she was running late at this point so she had to get innovative :)

Personally I think it’s a bright idea and I wonder why I didn’t think about it first. Emily used a pipe in her radiator to curl her hair in 20 minutes as against the 40 minutes she’d have spent using her curler.

Emily is 22-years old mother based in Morecambe, Lancashire and the beautiful part of this story is that her daughter gave her the idea to use the hot radiator pipe

The Big Reveal
Image: Kennedy News and Media

Let’s discuss the Pros and Cons of this hack 
Pros
1. It’s quicker
2. Saves on electricity and 
3. She didn’t burn herself as she usually did with her curler
4. She say radiator didn’t smoke like her tongs did
5. According to Emily, the curls lasted all night long and into the next day.

Cons
1. By the  end of this fun activity, she ended up with a sore neck.

What do you think about this hack? Is it a definite must try for all women who have radiators and can’t find their curlers?

Story Courtesy:
 The Mirror

How many of us actually carried out this fantasy?

Playing in the rain.

talk about war zone simulation!

Enemy cannot kill your soldier, if you kill them yourself. 

When you want to lose weight but the weight doesn't wanna lose you.

that awkward feeling you get when you want to lose weight but the weight doesn't wanna lose you lol
how tragic.

source: imgur.com

The Trump as Julius Caesar Controversy

The Trump family seems to have a problem with theater. In November, a few days after his election victory, Donald Trump launched a Twitter attack on the "highly overrated" New York musical, "Hamilton," after the cast's performers registered a restrained protest against Vice President Mike Pence.

And, on Sunday, his son Donald Trump, Jr., objected on Twitter to the Public Theater's production of "Julius Caesar" (part of its open-air Shakespeare in the Park series), in which the murdered Caesar closely resembles President Trump. As a result, both Delta and Bank of America have pulled their funding for the production.

As a theater critic, I saw this production on Saturday night, shortly before the storm blew up. Shakespeare's plays rarely contain heroes or villains: everyone in Julius Caesar is capable of good, though everyone ends up doing ill. Like most conservative critics, I tend to find that imposing specific modern parallels on Shakespeare tends to reduce this ambiguity, simplifying his complex characters into "Saturday Night Live" parodies.
Public Theater art director Oskar Eustis' version of "Julius Caesar" is no different. Gregg Henry's grinning, gesticulating Caesar is too obviously Trump to bear much relation to Shakespeare's flawed, charismatic war hero; Tina Benko, as his wife, is no more than a heavily-accented Melania stereotype. Subtlety is lost.
Yet this is not the vicious lynching of a Trump-surrogate that the right-wing press are keen to portray, nor a ritual expression of New York Democrats' bloodlust. Eustis' production may present Trump as a vulgar demagogue -- quelle horreur! -- but it makes crystal clear that assassinating him is the worst possible thing his opponents could do.
That is, after all, the message of Shakespeare's play. (High school students learn this; so should Donald Trump, Jr.) Brutus and Cassius assassinate Caesar because they think he's going to transform Rome's democracy into a personal empire; as a result of the violence they unleash, Caesar's nephew Octavius is able to use the army to establish his own empire instead. The last representatives of democracy end up committing suicide rather than be captured by the enemy.

If anything, portraying Julius Caesar as Donald Trump is unfair to Caesar. The Caesar of history and of Shakespeare's original, at least, had earned credibility in war, instead of dodging the Vietnam draft. In Eustis' production, Caesar's aides have the grace to look embarrassed when anyone mentions his war record. It's also hard to understand why Brutus, a democrat of rich integrity, admires Caesar's personal qualities and is so conflicted about betraying him.
But we in no way celebrate Caesar-Trump's murder. When Elizabeth Marvel's female Mark Anthony shows the audience Caesar's bloodied jacket, ripped with knife wounds, we feel her grief, and we, like the Roman crowd, are whipped into a frenzy of revulsion at the pity of this violence.

It matters, then, that Fox News and their allies are determinedly misrepresenting this production in order to pressure corporate donors. It seems to have worked: a spokesman for Delta objected to the "graphic staging" of this production, in which "artistic and creative direction crossed the line on standards of good taste." (That strongly suggests a spokesman who hasn't seen the show -- or didn't know Shakespeare's Caesar contained an assassination scene.)
This Julius Caesar does not glorify Trump's assassination, but it does critique him as a wannabe-emperor. If that's all it takes to get funding pulled, other theaters are going to be very wary of staging work that engages with the nation's President. And that has a chilling effect of freedom of expression. There is nothing less American than an America in which artists cannot speak truth to power.

It also shouldn't matter that this production of Julius Caesar has artistic flaws. Even with them, it still has value: as a British Shakespeare scholar, I've never heard any American actors pronounce his language so expertly. Elizabeth Marvel makes Mark Anthony's speech the highlight of the show and a sharp warning about the modern breed of politicians for whom claiming to lack rhetorical cunning is the most cunning rhetorical strategy in the game. ("I am no orator, as Brutus is," she roars, as if mocking an Ivy League opponent. "I only speak right on.")
Yet the rights and wrongs of this particular Julius Caesar aren't the point at all. A theater has lost its funding because it mocked the President, on the back of a lie circulated by that President's allies falsely accusing it of inciting violence.
That is a dark moment for American freedom of expression. Let us hope theater fights back: not with Brutus' knives, but Shakespeare's verse.

courtesy: Kate Maltby, CNN, cnn.com

Shocking Shakespeare recital from Ghana

Crammed Brutus and Marc Anthony's speeches to answer multiple choice questions and fill-ins 12 years ago. 12 years on, i just realised i still remember them because i had fallen in love with them.
MORAL LESSON: Learn what you love and love what you learn and you'll never have to worry about ever forgetting it.
HAPPY BIRTHDAY WILLIAM SHAKESPEARE!